• Home
    • Blog Listing All Posts
    • FL Studio Tutorials Books Tips & Tricks
    • Instruments VSTi Downloads
    • VST’s Effects Downloads
    • Music Theory Tutorials
    • Projects
    • Samples & Loops
    • FL Studio Tutorials Books Tips & Tricks
  • Shop School Mentor
    • Shop | School
    • Account details
    • Orders
    • Downloads
    • Addresses
    • Contact Us
  • User
    • Register
    • Login/Logout
    • Contact Us
  • Essential Tutorials
    • How mixing and mastering would be done by professionals? It’s all about Dynamics!
    • How to Sidechain? Your bass with kick! Learn a new and probably best Technique
    • DeEssing on Syllables and s and f letters that clearly make the shii sound in your vocals and the hiss
    • How to compress? Bass or 808? With Maximus?
  • Tutorial List
Facebook Twitter RSS
LoopSwag 📓 – FL TutorialsLoopSwag 📓 – FL Tutorials
    • Home
    • Blog Listing All Posts
    • FL Studio Tutorials Books Tips & Tricks
    • Instruments VSTi Downloads
    • VST’s Effects Downloads
    • Music Theory Tutorials
    • Projects
    • Samples & Loops
    • FL Studio Tutorials Books Tips & Tricks
  • Shop School Mentor
    • Shop | School
    • Account details
    • Orders
    • Downloads
    • Addresses
    • Contact Us
  • User
    • Register
    • Login/Logout
    • Contact Us
  • Essential Tutorials
    • How mixing and mastering would be done by professionals? It’s all about Dynamics!
    • How to Sidechain? Your bass with kick! Learn a new and probably best Technique
    • DeEssing on Syllables and s and f letters that clearly make the shii sound in your vocals and the hiss
    • How to compress? Bass or 808? With Maximus?
  • Tutorial List
Facebook Twitter RSS
LoopSwag 📓 – FL TutorialsLoopSwag 📓 – FL Tutorials
featured image

How to Sidechain? Your bass with kick! Learn a new and probably best Technique

11
By Swagger on FL Studio Tutorials Books Tips & Tricks

Share the Love:


When you make a track, most often your bass and kick will play together. Therefore it’s often important to sidechain the kick with the bass and the 808 with either the bass or bass with the 808.

Learn a technique of Sidechain to remove muddiness and add room for a kick with the bass that is played in your track, like a professional:

This is the easy tutorial; Send the kick to a channel, then send the kick to another mixer channel, then in the first mixer unit have 8ms delay, and in the second mixer channel have your peak controller, which then adjusts the parametric EQ 2 “200Hz cut”, which is connected to the peak controller on the kick you have, which makes holes for the kick to play freely when bass plays. After you’ve done that delay the sound of kick to the same -8ms, yes minus. And minus milliseconds only work with FL 12.5+

Not using a sidechain can cause that kick to be somehow at a higher level when the bass is played together. Making your track very differently or at least bad from many other newcomers who use side-chain. Thus then giving characteristics of being muddy or at least annoying sound to many listeners. They will not comment on your tracks and would most likely step to listen to something else if they genuinely don’t have a high impedance that often can filter specific muddiness. Usually, trance contained problems in the early 1990s; thus, companies like Sony used a higher range ohm through the system, delivering more vibrant and lovely sound by playing bass and kicking together more perfect.

Specific analogue systems like RS7000 didn’t give sidechain problems, thus delivering low-level muddiness when the kick is played with bass by certain bass levels to a mere better quality process. But for digital music, that was quite different, and it introduced the need for amplifiers, which as well could filter these problems more precisely.

First, we did gain the kick and the bass to a certain level with Fruity Limiter. “Using the Gain” You will see this limiting on the right Fruity Limiter “Picture Below;” This you should avoid in all of your tracks, one spike that gets nearly hard clip limited, which can cause some distortion. So watch out for any compressor for these levels, that limit and you are pushing it to bottom The distortion might sound like clipping if even used little on wrong equipment with no distortion filtering as some equipment as laptop speakers might render this specific of a clipping sound. Thus for your system, giving no particular ability to monitor the problem at most, but it’s only viewed.

Besides, using the gain in Fruity Limiter is like doing the right thing. But you, of course, need to reduce the wrong levels of your kick and your bass to further better avoid muddiness with this sidechain technique below:

First, you should route your kick, where you will have your Peak Controller to another insert of your mixer. To at least play it when it should.

“In 2020, we been using the kick in one place and sending it to another insert, where the peak controller is, But we put on the kick 12 ms delay, then remove that delay afterwards using -2ms.” You see the delay in the blue control. And we set it there. You will have to set your own ms value. As there are different tracks with different proportions. Setting as specific for offbeat bass like 20ms addition might make a track better as sounds often are processed with a delay in some plugins.

Remember to turn off the channel to master the routine since you don’t want the double sound of the kick.

You can, though, avoid sending it to the new mixer unit. But you will increase certain levels of kick with the above pictures of limiter, thus enabling you to turn off the mute on peak controller you can avoid sending it to the master. Either way, you need to do this procedure so that the kick will be sourced out to the master once.

When you add the Peak Controller to your kick at mixer unit 2, when it has enough levels, try to maintain the peak to reach high enough levels in the Peak Controller. That way, you can have the peak controller to achieve the best possible reduction of bass when the peak is on.

The tension, if you set the pressure more to the right, you will eventually get a spike, which will be depending on the actual volume.

Remember to set decay as high as possible, but not too high. But as good as the kick is and how long it is in itself. Having a higher level of decay will ensure that the effect of the sidechain does not stay for too long. So that the cutoff of the sidechain is made more like how your kick is, the tension sometimes might increase the peak level and thus give you the right characteristic of your kick. Often the peak should be at around 0.5-2ms bigger than the actual kick.

In specific procedures, you can send your loops to only one mixer unit and use the preset 20Hz-18kHz of Parametric EQ 2 and thus then remove all frequencies above 200Hz for your loops to be only valued to have bass frequencies. Therefore this would even get your loops to sidechain the bass in certain moments.

In the below picture, this is thus a more decay-reduced peak than the above picture; it will be less high and more likely how your actual kick is. The peak controller might sometimes need this adjustment because it already is specific to deliver a higher range than the kick sound is. It’s often dependable by the default volume level of your kick.

Now with your bass channel or your bass instrument. Put Fruity parametric EQ 2 into the mixer. Then right-click on the white mix button of the plugin. And “link to controller”:

Then choose the Peak ctrl – Peak or exact specific Peak and not LFO. Then push accept.

“Remember to turn off Remove conflicts if you use several basses for the sidechain procedure”:

In some other techniques back in 2008, the invert of the peak was essential to be used in the proceeding, but the ducking of the mix of Parametric EQ 2 does not need that.

In the parametric EQ 2, choose your preset 40Hz Cut.

Then drag from 40Hz Cut to 200Hz. Then use the middle mouse wheel to make a curve like in this picture:

“This is a good option as well to use on your pads and instruments that need 200Hz below removal.”

Most likely, your bass and kick will be side-chained. And you are thus giving you the ability to play certain bass levels above 200Hz with the kick, making this specific possible proper procedure to your listeners. Therefore by as well centring the Parametric to around 100Hz is even still possible. But you need pro equipment with low impedance to avoid getting problematic muddiness if you can monitor your levels by that specific.

Disclaimer: Sometimes, when you sidechain, you might add the specific probability of having no feeling of bass and kick; thus, this would end up with you having zero capability of feeling any bass levels. Then surely there might at specific points add up a particular problem which your procedure of sidechain has to short effect with the peak controller delay. But as well, under such means, you will have no attack on the sidechain of the bass.

Thus in these moments, we recommend using the delay compensation in a more specific way. To attain a small hole when your kick is in play after you start to sidechain the bass. Making holes is probably an essential process and is shown by this picture where you can see the bass has one hole line. This process ensures no glueing by your kick and bass together, making room for opening up for your kick to be felt in the way the listener listens to your music. Glued bass and kick aren’t recommended for any use in a track, as it sounds as if there is no bass.

But that’s not all:

You might need to set ms of your tracks to kick – If you have automatic plugin delay, you might not need to set the timing, but for beginners, it’s best to use automatic plugin delay compensation to not worry about more than enough. But even with automatic delay compensation, the timings aren’t super perfect, even for anything explained by us on glued sound specifications.

But anyway, if you don’t use automatic, try setting kick at 8ms or 12ms delay. “12ms for FL 12 and FL 11.”

It’s plus in FL 20+, but you can as well use minus.

Remember to as well set your delay for basses at “6ms”, yeah, plus 6ms. “Does not work for FL 12 and FL 11.” You might sometimes set your bass at 8ms and 12ms for a kick. You should use that option if the kick still occupies your bass, and there is a difference that you might hear as blobby bass.

The above said isn’t always needed. All you might go off with was to set the ms before it hits Insert 2 to 12ms. You might need that kind of adjustment in your track. But in a specific special way, you might delay back the kick if you need your kick to go straight professional. But that option does not tend to be needy. As kick might sound good at least 12ms delay. Means backward.

This below is the Plugin delay Compensation – Most tend to not put it on Automatic. Some tracks might sound weird for some plugins making a problem to even vocals and other instruments, so be wise using the option. Thus by having a newer version of FL Studio to the latest delay, compensation has been improved. But you still will have to figure out your magic touch to the glue.

Here it is most likely good side-chained, but you might only see some certain level that this somehow glued, and in total, you need that small lines to when peaks of the kick are coming.

By utilizing music, a dominant kick often is used with electronic music, EDM, Techno, Trance; thus, when you feel bass levels at nearly -9dB, they still are enough for most people to understand as well good levels. The recommended level of a kick would be -6dB for a track with -9dB bass. But even a -2dB kick and -6dB bass is also a good option. Too high bass levels might be a different problem for most. But the sound systems gain the levels if they are low and don’t gain if they are at max. Some systems reduce the 0dB plays, so maxing isn’t always important. Most of all, maxing is bad.

So enjoy Sidechaining comfortable and adequately.

Tips: You can set your kick at higher milliseconds up to even 18 ms. Since your bass has also delayed from the plugin and through its plugins, up to 4 ms or more senior, you are making your kick come up on the bass. But setting your kick to delay is also a good option on specific basses, especially offbeat basses.

Important notice – FL Studio 20 has changed its use of the ms option, and as well giving – value, as well as the compensation, is set more appropriately. But upgrade to FL20 Now!

Dealazer developed this technique in the first glimpse of it.

Share the Love:


basic basics bass beginner beginners brief change changing edit edition eq essential fl studio help helping how to avoid muddiness how to make kick less muddy how to sidechain how to sidechain bass how to sidechain bass with kick how to sidechain FL Studio how to sidechain properly how to sidechain with fruity limiter kick know learn master Mastering mix mixing ms muddiness muddy needs new problem problems produce producer producing production reduce reduce chances of muddiness removal remove sidechain sidechaining Sound techniquet to sidechain tip tips tricks tutor Tutorial tutorials work
Previous ArticleHow To FL Studio? – Learn What You Wrongly Learn/Learned
Next Article How to: Principals of ADSR – Attack, Decay, Sustain and Release
Swagger
  • Website
  • Twitter

Artist | Rapper | Unique Vibe | Only Sytrus | Beat Producer | Singer | Wonder Trance | Blogger | Designer | Photographer | deaLazer.com<-- Books and onsite Phone Player

Related Posts

How to make: Hard Trance or a Hard Dance Track?

Producers need better EQ from 3000Hz-22000Hz Since that’s the honeyspot of the feel

FL Studio Video Tutorials on Hip Hop & Trap Making – Splendid ways

11 Comments

  1. Pingback: How to Master in a Proper Way Tips & Tricks | Loopswag

  2. Georgie Cleon Greenburg on at ">

    You ought to be a part of a contest for one of the best blogs online. I most certainly will highly recommend this website!

    Reply
  3. Kingwood Tx on at ">

    Greetings! I’ve been reading your website for some time now and finally got the bravery to go ahead and give you a shout out from Kingwood Tx! Just wanted to mention keep up the great job!

    Reply
  4. Naha Czyku on at ">

    Hello. remarkable job. I did not imagine this. This is a remarkable story. Thanks!

    Reply
  5. Reagan Toledo on at ">

    My brother suggested I would possibly like this website. He was once entirely right. This submit truly made my day. You can not consider simply how much time I had spent on this info!
    Thanks!

    Reply
  6. Graig Hutton on at ">

    Thanks for your marvelous posting! I definitely enjoyed reading it, I want to encourage you to definitely continue your great work, have a nice day!

    Reply
  7. Tom Walsh on at ">

    I was recommended this sidechain technique by my cousin. You are incredible! Thanks!

    Reply
  8. Kyle Fellows on at ">

    Thanks to my father who shared with me the topic of this sidechain, this blog is really awesome.

    Reply
  9. Gabriel Buckner on at ">

    Good day! This tutorial could not be written any better! Reading this post reminds me of my good old roommate! He always kept talking about this.

    Reply
  10. Jesenia Lashbrook on at ">

    We are a group of volunteers and opening a new scheme in our community. Your site offered us with valuable information to work on. You have done a formidable job and our entire community will be grateful to you.

    Reply
  11. Shanel Lemieux on at ">

    Quality posts are the key to be on focus for the users to pay a quick visit to the website, that’s what this website is providing.

    Reply

Leave A Reply Cancel Reply

Connect with:

Login with: Facebook Login with: Google


Share the Love:


Tweets by
Search On Google
These Tutorials over at Loopswag.com are the hottest at the moment, it helps people clueless about several things that aren't that easy for beginners. Click To Tweet
Facebook Twitter RSS
© 2023 ThemeSphere. Designed by ThemeSphere.

Type above and press Enter to search. Press Esc to cancel.

We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept All”, you consent to the use of ALL the cookies. However, you may visit "Cookie Settings" to provide a controlled consent.
Cookie SettingsAccept All
Manage consent

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Functional
Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features.
Performance
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Analytics
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.
Advertisement
Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads.
Others
Other uncategorized cookies are those that are being analyzed and have not been classified into a category as yet.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.
SAVE & ACCEPT



×



×