The blue colored is showing the unison. Unison numbers to the left in there are used to change the number of unisons. These can be set to up to 9. Sometimes using nine will cause a considerable amount of CPU usage. But it can make the sound more stereo-type. You can also adjust other handlers, but the SB will most often give you high-level bass sound, so be aware of using it, as it can overpower anything that is initially playing bass.
The red is showing Quality; you can set the Oversampling 2x to off. Since it will reduce CPU usage, render is when you create the render of the project. It does not affect what you hear while listening live to the project.
The purple is showing volume and LFO and pitch. A good tip is to remember that every 12 numbers, you get one octave down or up. You most likely want to have the volume at the middle range.
LFO: That is used for making sound “Volume” to go up and down like here: When the red has been drawn up to the corner and up with the other one:
You can then change the small buttons on the bottom left: Speed, tension, skew, and pulse width. Then to adjust the LFO in a different matter where speed is when you change the speed of the LFO. Tension is most often used to make the wave of the LFO.
When editing the modulation of operator 1 to 2 to around 50% will give you a different sound. Sometimes just the adjustment to allow 10% of the modulation to be done is more efficient than using the full range.
As you also see, F1 is the filter, and it only plays the sound from first frequency modulation as it is also enabled with effects that Sytrus has “FX” as well as dry output to the OUT.
The filter has two most important things as Volume envelope and the CUT cutoff envelope.
Volume at the filter is dependable on to reduce the whole sound range into what it plays through the screen. But you can as well use a different type of filters starting with LF2. The cutoff envelope is most often not needed but can be very useful to make a different sound of the sound you play to be filtered automatically.
You can use the Waveshaper to the top right to add more distortion to your sound tho. Enabling it and adjusting it different is a solution to make sound different. There is also a way to make the envelope for the WS.
Sometimes you will need to make the cutoff to be used in the MAIN section from the above envelope:
That way, you can create an automation clip to the X.
Enjoy changing many of the presets as well as creating your own!
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