Why and how to master most of your synths and pads?


Since you already don’t know the full length of sound a Creative SB1300 with Razer Kraken gives.

It actually vibrates out for you the most changing frequencies at around 224Hz. Center at fullest refreshment for any producer to know the stake that is at that center. Somehow most producers are really blinded at that range And can make a wrong move on either their bass or kick. Even for other instruments. That can be annihilating to their production.

There are always different prospects of about 224Hz centers.

Many artists already EQ at that range on their master channel. Since that is the most hardish sound they get from multiple sounds fighting for the frequencies to be vibrant enough.

But of course, the synths that are not bass, or plays straight ahead not as a bass. They might most often create the lost frequencies of bass with as something called resonance.

Resonance can be good. But the resonance we hear speak about is filtered in most units, so you don’t monitor it. Tho it’s important to even know the specifics of a 200Hz kick in any kind of speaker. These frequencies on Kicks can lately take a good track to actually become lost in the field of an impression.

Why equalize your sound with high Q at 200Hz? It’s because the sound most often at that range is creating overbalance in fact of that sound has somehow been recorded with a microphone that is not the specific bass microphone. Or is in fact already filtered with HighPass or is even without bass.

A rompler as Nexus has bad recorded instruments. It’s like if someone recorded with bad equipment. A ROMpler is most often a dead end to many.

These levels create a problem for many musicians so it’s more important to equalize already at 200Hz with parametric EQ 2. Than ever before. Even if you don’t hear that yourself. But are able to discover different speakers or headphones.

You can use Parametric EQ 2 preset called 40Hz cut. and drag that to 200Hz. Then just use your middle mouse wheel to make a steady curve:

Even if you don’t hear problems, you can somehow see the problems. Especially not focused or sound that is in space. A very resonant sound is as if you pitched sound up and down each 10ms. Forth and back from frequencies. Resonance is most often called a sound out of the amplitude. That’s why you might not hear it if you have ohm filters on. It’s frequencies go from the already placed frequencies so filters are not affected by that travel, and play the very solid sound of beauty.

Disclaimer: Some of your sounds really need to be reduced by its resonance and not by the whole removal of all bass frequencies. Some sounds have wonderful bass levels and therefore you should try to sidechain the kick into even pads and synths that have lovely bass levels.


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